Tuesday, September 21, 2010

Metal Core Scooter Wheels For Sale Under $10

Woodpecker

when I came to the spring sun Gold fell and threw his last glow in the calm waters at the edges of the forest he stopped to moisture. I kneeled down and looked at my face, like other afternoon, before the liquid crystal. I saw the leather patch on my left eye and a pointed nose, with which I had earned the nickname of Woody Woodpecker. Suddenly, behind my reflection, I appear confusing features of the face of a girl, maybe my face was becoming a solar dream or the signal for as expected without me knowing. A moment later, slowly emerged from the lady's face, eyes closed, arms and feet bare, a gray flowered dress, blue poppies. I thought it would mentioning the beautiful drowned grandparents. Her skin seemed translucent dozing.
I stood and enjoyed the quiet beauty of a woman who had put the spring under my eyes .. In short, this was the signal. Gradually the body of the girl began to move toward the darkest area of \u200b\u200bthe pond, where the bereaved flowers scattered trees their shadows.
The golden ball of sun slowly faded away, the spring is filled up mist that tangled with the dense shadows of the trees. Although the darkness was coming over the air and water, the girl gave a glow that allowed me to observe and follow it along the spring.
I mismatch the boots, took off my clothes and I got into the water, close to the girl, whose face I caught a glimpse of a slight change, as if to set a half smile. I took her hand and had the consistency of the coral. A force that came with the water made us move a little, but fell into the orbit of a whirlpool. We pulled toward its center, I instinctively pressed the hand of the woman and suddenly, his fingers pressed me also. We were sinking into the spiral, I tried to let go but he grabbed me hard. First encounter with the mud at the bottom, the current made us move towards a cave where we entered.
She dropped my hand, opened his eyes and saw the depth of a restless soul with passion, though covered with a certain melancholy, my sinking in that look was inevitable and I felt calm. Then the girl gave a half smile, stood with parsimony, took me gently by the arm and led me to a bed of lichen. He had not imported my nose or the patch that covered my eye, it was as if I were someone else.
More than me it was the lady who made love to me, cautiously, quietly, tenderly, swaying, dreamy, warm, overwhelmed, abandoned. My body was accompanied in each of its manifestations. Before ending to dive in, I sensed that she was waiting for me from centuries ago or that I had searched through many lives. I heard of her childhood but I never imagined that I fall in love with the beautiful drowned. At the moment of orgasm, sprouted small fish and eels platinum nerve.
live here now, in the cavern of the pond, next to the maid. When beautiful drowned gives birth, which occurs every three months, hundreds of flying fish are born white with a black spot in one eye and a pointed nose, and short sword fish. On full moon nights, the lady and I went to the air of spring and see our children to fly and dive into the water until it's dawn. It is the moment when my companion and I returned to the bed of lichen. The people of the village called El Manantial de los Peces Carpenters. It is the way they remembered. I do not miss them.


Wednesday, September 15, 2010

Can U Put A Heated Mattress Pad On Air

Last release of "Lady Filstrup"

Preliminary note: The mayor (there are fears that among the general indifference) resigns from his duties bloggers. Leave kind to patients and friends of "Lady Filstrup" a collection of files posted, some covers that are discussed alone, a few words of farewell and, in addition to their eternal gratitude for your attention, links to all previous entries.

allow me to bid farewell to the friends of this weblog (or whatever), dispensing with the usual precision in the data, the usual profusion of them, and instead simply speak to them , and meets a friend who is sincere. In sum, I would like, Basically, talk a little about myself, with the excuse, unavoidable, refer to our beloved comedians ever. The mayor abandoned his duties exhausted, disillusioned and depressed, though his affection for the actors intact. We simply can not continue because it has run the enthusiasm for their work. Not worth getting around it. But do not leave without a last ditch effort to explain (to others and himself), to try to move their feelings and emotions in relation to all those men and women who, with his trade of comedians, accompanied him from childhood and have shown what can be what we call "life."

Love lasts only 2000 meters

So the divine Jardiel titled one of his plays and that's how the mayor feels in relation to the weblog, so weary, fed. Feel the excitement is over, with him, illusion, and to continue with their rants in such conditions, depriving them of needed rest after the working hours required in the office for the left, would self-inflict a punishment that might deserve, but not is willing to administer. Timely or not, it's time for others, if they wish, take over the baton. The original claim (and futile) of this mayor was to gather in this place internautical the recognition that English actors and actresses, whose office has illuminated his life, deserve. An attempt to provide, at least in name to the faces that everyone knew but did not recognize.

And the spell under whose influence lives on, he came to this mayor, who was born in October 1963, from the television screen of television that he reserved for television films and his most prominent American films plots time (what we now call "prime time") but that was nurtured in fundamental measure of their own dramatic productions. There he met several generations of actors, from leading figures in the theater scene, with decades of experience to promising young people supported by their work before the cameras, to the big screen stars more or less successful, returning from exile, voice actors, or deserving of new groups. In that love first came after curiosity about the origin of these vital professional interpreters and those who, serving as a mirror to look, before them. This explains why, back in time, the mayor has agreed to the admiration of figures of the past and now overflowing curiosity for lost jewels of English cinema in the decade of the 30's, for example, "Mighty gentleman ... "a film that brought together comedians of that time who enjoyed fame and success, now forgotten, such as Casimir Orta, Rafael Medina, Luis Villasiul, and the voracious Julio Castro" Castrito. " Likewise curiosity excited by the antics of those who made their careers in America, such as Julio Peña, José Nieto, Ana Maria Custodio, Catalina Bárcena, Rosita Diaz, Tony D'Algy, Conchita Montenegro, Felix de Pomes, Fortunio Bonanova, Antonio Moreno , Roberto Rey, or Juan de Landa , the only all that was spent here a small entrance. This tracking, essential stimulus for the curiosity of the village, and similar to that led him to enjoy the comics pages of the last Bruguera forties, had its origin in any case, like everything else, in the early sixties, against TV, inhabited by magical performers of that house which was English TV.

In television regulars, we have been here to talk a little of some of them, who will serve as a sample to understand the rest. Then we talk about José María Escuer , a worthy representative of what might be considered "middle class" cast English TV. We recall here, for example, his childhood as son of actors, and the terrible kick that had to bear the brand "blondes are better as is with potatoes," the divine Jardiel. Escuer as common as it was in those television drama, one of the first actors who appeared in the weblog, Thomas White, who was associated with the means by this mayor, although, naturally, had his back, when he the television, a professional long career in theater and film, where, incidentally, debuted in 1942 in a dreadful film directed by José Buchs ("A famous knight"), in a leading role and with a nose huge, disproportionate (yours), which is off to continue, and with a less scandalous nasal appendage, acting for the cameras in such titles remembered as "Nada" (Edgar Neville) and "Mariona Rebull (José Luis Sáenz de Heredia), adaptations to the screen, both of 1947, the prestigious novels, as are those which, counting also with the presence of Thomas White Two decades later would be subject to the issuance serial for the small screen. We have also spoken of the great Fernando Delgado , whose death we became obligated to spend echo and, immediately afterwards, a monograph. In a record more comical than those previously mentioned, Valeriano Andrés , was another of the actors who routinely entered the homes of the English from the cathode ray tube, and whose figure, with the best intentions, was annotated in " Filstrup Lady. " Also we had to dismiss Francisco Piquer (whose daughter Edith, deeply appreciate the care you had with this town), to Fernando Cebrián to Lola Lemos, a Vicente Haro and White Sendino , four distinguished representatives of those golden years of English television, that we were recently.

For my generation, it started on TV early

Eminent actors of English theater, with thirty or forty years of experience, such as Manuel Guillermo Marín Dicenta or getting in a single pass TV, getting the performing arts more viewers than it ever had before, in countless repetitions in a multitude of scenarios. And if large Dicenta and Marin were in the theater, and if part of his greatness could be diluted in the movies (especially the first, which was less fortunate than the latter, in this medium), was no less colossal dimension Mary Carrillo in the theater scene, who had to take the final applause trying to give testimony that flashed his art as film and television. Somewhat younger than those previously mentioned, José María Rodero, José Bódalo, or Carlos Lemos, had been holding prestigious theater companies before the TV will confer the aura of maximum visibility to intervene in a number dramatic spaces, of which the most recognized (up to the consideration of "mythical") was the version that went Gustavo Pérez Puig of "Twelve Angry Men" television screenplay written by Reginald Rose. Joining the trio of players mentioned (and mentioned above, Fernando Delgado), completed the cast of the scene eight monsters such as Jesus Puente, Rafael Alonso, Pedro Osinaga, Sancho Gracia, Ismael Merlo, Antonio Casal, Luis Manuel Alexandre and Prendergast, who was added in an auxiliary role (and preliminary), José Luis Lespa. Any of them, this mayor should have been able to offer here a comprehensive and complimentary portrait, but only Fernando Delgado and Carlos Lemos have been so dubious honor. Luis Prendes appear here (as well as its presence in a particular film, as in the case of interpretation police star of "From behind the door," José María Forqué, 1959 - this is required ) in just two "inputs" gallery ", the first of which contained his picture alongside that of the former Emma Penella in the film by Miguel Iglesias" Letter to a Woman "(Miguel Iglesias, 1961) and second, when we refer to a romantic version of Tenorio . also José Bódalo , a must for a whole generation of viewers, was in "Lady Filstrup" with an entry that was limited to a mere point on its releases Buero, pending a justificadísima monograph. As the main players, solidísimos generic, also supported by its continued exercise on the boards of a theater, as always splendid and José Joaquín Roa Orjas, gathered in the autumn of his career virtual applause of fifteen or twenty million viewers in a "Studio One" or one in a series of Jaime de Armiñán or Noel Clarasó. The enormous potential

acting on English television in the sixties and seventies speaks eloquently a mere list of the figures composing it, such as siblings Gutiérrez Caba, Irene, Julia and Emily (of which only a Julia we have presented here, on time, in an entry-gallery that reminded one of the many awards that mark his career), most brilliant followers of a lineage of artists from the scene of the most prominent, which gave so dazzling jewels as, for example, the mother of the trio mentioned, Irene Caba Alba, and her sister, the singular and lovely Julia Caba Alba. Freshness carefree youth and Luis Varela (who at eighteen and triumphed on the radio, film and television) contributed much to do in English television a pleasant and friendly. That television invited to have awakened the admiration of people who showed us through your screen. Admiration that arose in the hearts of viewers and allowing them to be welcomed in their homes, and recognize its many merits: the excellence of Fernando Fernan-Gomez, Ana Maria Vidal drama, the intensity of Javier Loyola, the sobriety of Rafael Navarro (who also dedicated an entry for these dollars), the sense of comic timing of Prendes Mari Carmen (another of the figures who try to gloss over here, once), the strength of returned from exile, Andres Mejuto, the now forgotten drama Paco Morán capacity , the precision of Jose Maria Prada, José María Caffarel authority, the strength of José Calvo, Lola Herrera fearlessness (the national Susan Hayward), the indecisiveness of Louis Morris, the trembling of José Vivo, the exasperation of Agustín González the reliability of his wife, Maria Luisa Ponte, the impatience of Jaime Blanch, the overwhelming humanity of Alicia Hermida, the stinging irony of Tota Alba, Paloma Valdés candor, the sweetness of Marian Martin, the sympathy of Maite Blasco, arrogance (often scoundrel) Ricardo Merino, lively personality of inflammatory Juan Diego, the serenity of Ricardo Tundidor, the vivid intelligence Amparo Baró, the frank and manly charm and Manolo Zarzo Manuel Tejada, the fragility of Carmen de la Maza , Julieta Serrano resistance, rebellion, Emma Cohen, a replica of Amparo Soler Leal, Alberto Closas manly forcefulness, the shocking Francisco Merino accuracy (the Donald Pleasence English), the unusual handsomeness of Francisco Valladares, pearly beauty of Elisa Ramirez, children and other non- Charo López most disturbing or Marisa Paredes ... the impressive presence of Lola Gaos, the flatness of Tina Sáinz, something icy beauties Maria Jose Goyanes, Nuria Carresi or Silvia Tortosa, the calculated platitudes of Margarita Calahorra, Mary Gonzalez or the seemingly rough Alberto Fernandez, the aristocratic elegance Mayrata O 'Wisiedo and Nelida Quiroga, or child of this, the then sports commentator Hector Quiroga, the gleaming efficiency of tiny and anonymous men like Michelangelo, Modesto Blanch, Antonio Moreno and Lorenzo Ramírez. Among young people, said Manuel Galiana quickly (who something said here), and Jaime Blanch, who had been successful child actor in films. Sancho Gracia arrived shortly after Nicolas Dueñas, Emma Cohen and Ernesto Aura. Among the elderly, excited the mayor reminded the cute Luis Barbero and Valentín Tornos. For his part, Arturo Lopez and Julio Nunez, who also worked for dubbing made many leading roles. Like Victor Valverde, who had starred in several genre films and low budget crime held in Barcelona, \u200b\u200bas Julian Mateos (who achieved greater distinction professional partner to its greatest aspirations). A galaxy, In short, men and women who assumed for themselves a fascinating, unique, captivating and authentic, to be developed further in working conditions and materials that today strike us as implausible. Many of us left in the ink in this crazy ennumeración. Some he will quote later, with a new excuse. Above all on-screen pass frequency probably could put Pablo Sanz and Jesus Puente (besides Fernando Delgado, mentioned earlier). Pablo Sanz, Segovia Nieva born in 1932 and educated at Valladolid, married to actress Asunción Villamil, English television came in 1957 and had made in 1966 more than a thousand different program interventions, such as "intantil Program", "Scale in Hi-Fi", "The Lazy Turtle," "Grand Theatre", over 600 hours on screen characters to his credit adaptations of "Wonderful Life", "Death of a Salesman," "The Caine Mutiny," "TOPACE", "Jane Eyre" and "Fleming", to name a few. Jesus The Great Bridge was not going to lag, and even joined in the middle a little before Don Pablo, who was debuting in the third play that was broadcast on television in Spain, "The Sarah Dowey medals. " In the beginning, followed among many other pieces (and Limiting ourselves only to his early years in the studies of the Paseo de La Habana), "Interim Lieutenant", work in which, led by Domingo Almendros, his character had to suffer amputation of the legs, in "Murder" released, as above, live, was forced to improvise with his partner Julio Gorostegui to overcome a moment of concentration which was about to ruin the "suspense" of the work, "The Last of the Philippines", "The Darkness at Noon" or "Mariona Rebull. Of their working day in the spring of 1963 we want to account for the testimonial value involved. In his own words, this great actor Madrid, May 1 above dela years, I worked 8:00 to 15:00 in the dubbing studios, television would then act in the "fiction" of the four ( "Cristina Guzmán"), was in the theater after the two performances of "The Milky Way", and finally went to shoot a movie in Torrelaguna. I sleep, I suppose, it left the critics.

actor. Customs.

use

The Actors are a convoluted mixture of deity and proletarian pagan gods worshiped as long as they are forced to work with the same zeal that the humblest of workers. In Spain, the popularity, the modern religion professed harvesting legions grew for actors intensity of geometric progression to the late advent of television. Actors who had cheated on the basis of dubbing sessions, the dual functions of touring the provinces, could at last access to a millionaire recognition, although their stipend remained modest. Their faces became familiar to a wider audience, in spite of this, their names were still a unknown or confusing to most viewers. The most coveted roles in the theater stages passed, thanks to television, at the hands of actors who could hardly have dreamed to represent them, a few years ago on the stage, although they continued to be so poorly paid for their work for the new medium as they had once. The film side, titans of the scene, seasoned in thousands of performances, they had to add dozens of interventions in filming was going to happen without interruption to obtain an acceptable level of income. People as special as it was Antonio Riquelme, who dared to call Here "The skeleton of the comedy" or as Felix Fernandez , who said it was "The eloquent baldness" or as José María Lado , changing face actor who usually see "under the weight of bitterness, "or as Jesus Tordesillas ," a generic long haul. " Of all of them wanted to tell her story and being more whole, we would have done the same concerning, for example, Joseph Jasper, John Espantaleon, Alberto Romea, Manuel Luna, Manuel Requena , Casimiro Hurtado, Xan Das Bolas , Fernando Aguirre, Felix Briones, Juan Calvo, Juan Vázquez, Julio Gorostegui, Manuel Aguilera, Perchicot Nicolás Díaz, Pedro Quevedo Rodríguez, Ramón Giner, Luis Pérez de León ... Some of them said something on tickets left "group" as those dedicated to the cast of "The Great Galeotti " (Rafael Gil, 1951) and "The man was traveling slowly" ( Joaquín Luis Romero Marchent, 1957) or unclassifiable "8 players, 8 illusions" and "Small sample CIFESA artists." In the feminine side of the generation of characteristic listed above, are great actresses like Julia Lajos and Guadalupe Muñoz Sampedro, which would add up quickly Julia Caba Alba at the height of humor "genre."

analysis on the English film production, the enormous economic difficulties of the 40, only saved by two production companies, the Valencian and the Cesáreo CIFESA González, Suevia Films, which produced a film far more popular taste captive government grants, followed years of research and concern during the fifties, in which we explored the possibility of detective films in the Catalan production and a certain kind of neorealism, in titles like "grooves" (José Antonio Nieves Conde, 1951) and "Day after day" (Antonio del Amo, 1950). These two films, real benchmark of a road that English cinema was able to continue only with numbered steps, which would mirror artistically somewhat similar to English society, had the role of a new face, a young actress who came to refresh the picture of the first actresses, Marisa de Leza. Hers was a case that exemplifies the continuing generational that the insatiable beast of the screen requires large relentlessly. It is imperative that the heroes and heroines, to safeguard their immortality, renew the poor mortal who lends his appearance, who embody the ideals successive fads imposed on each new fall schedule sheet. The commitment to the fledgling Marisa de Leza in the early fifties, came to clear the screen of something rancid stilted presence of stars such as Lina Yegros, Florence Bécquer or Guillermina Grin. The fate of the victims leading actresses of time used to be the cruel oblivion. Less abusive to them, however, also heartthrobs, being evicted from their pedestal, as Alfredo Mayo, Luis Peña, Rafael Durán, Robert King and Antonio Casal, must recycle their art into new continents, occasionally finding success prestigious past decades, with due steadfastness and nobility that gives an abundance of gray (if Alfredo Mayo), or a progressive fall in fossil stiffness (case of Robert King and Rafael Durán), or rising to a worthy stage itself, in the region of character (for Luis Pena), or calling in the journal (if Antonio Casal, who, of all However, before comic lover had been an acrobat, as Cary Grant). Of these, "Lady Filstrup" chose Luis Peña to explain through it, a significant portion of the history of English cinema, through a three-part entry that realized the brilliance of the first postwar film, maturity without continuity of the early fifties, the desnortada dispersion abundance of the sixties and unsatisfactory reflective and self-absorption of the seventies. The actors

are used. Like cattle, you're a genius endian as Hitchcock, or with great cordiality, if you're a Franco well educated, as José Luis Sáenz de Heredia. But the directors are used. In the end, following the thread is found that actors are the latest in a string that may well start Scheherazade, or the first Neanderthal who staged a love story of the fire. When the people are interested in stories numb bombastic, patriotic grandeur glorifies dream, they were covered in Barbaza, Heck and gallons. If this menu ends up being hated by the public, is at the service of "bold creators' economic resources essential to amuse the populace with new stories, as false as above, but with appearance of truth, few in a different register. It is giving the public what the public asks. And blessed be the trick that allows us to delude ourselves. First was the theater, then film, then radio, television, video games ... factories successive dreams of those of those who do not want or can awaken. Raw materials of these factories are the actors, those things that lend themselves to endless game of living different lives for an audience equally infinite. An audience that will identify with the actor or hate it, alternatively, you want or feel disgust for him, a representation (film, broadcast or function) to another. That laugh in the forties due to alleged regime of Miguel Pozanco barracks, which endorses the hero Falangist Alfredo Mayo, and in the last seventy and eighties, with the apparitions of the late Antonio Gamero, next to the hero of the democratic transition, José Sacristán. In those dreams will require an ogre as José Sepúlveda that goal fear of missing girl, desperate to hire the worker or shoot treacherously against the hero. In these dreams will be necessary the presence of an old lady as Garrigó Camino, to advise the girl returned home that never again to venture outside, or keep hot dinner for the worker to whom the foreman forced work to exhaustion, or to cry when I kissed the photo of the child that fell in front, so many years. When those dreams need to "jinx" to take over the jinxed owner, come to the rescue the great Lebrero Goyo. When a girl, a girl just have to battle the merciless public amateur theater, the natural blossom Mayra Rey be ideal. When troops of the rebel army finally defeat our enemy, a speaker who will be teaching declamation, as Fernando Fernández de Córdoba , which will specialize in the role of traitor, will be chosen. When abound the stories of violence, hastily copied from novels kiosk "in a hard," we need, no doubt, a burly big man, willing to be hit and sniping, as the good Fernando Rubio. In films where the villain brings together evil, charm and an impressive figure, Gerard Tichy Teutonic becomes essential. And we always need a man timid, and Manolo Gómez Bur , safer driving to a chicken than a woman, sorry to get sick of fear emboldened by a tiarrón in a casino, and ever so loyal as clumsy friend protagonist. How to dispense the inflexible and repellent Manuel Díaz González, tyrannical, stretched, despotic chieftain cowardly and ridiculous? Or for that inexplicable José María Tasso be singular, smiling, between puffs, the shadow of her own bangs? We need everyone (which is why we brought here, "Lady Filstrup") to understand life, maybe not real, but yes that they tell us that, after all, is the only one we can understand.

actors are born, grow and reproduce. Frequently among themselves. Of actors who are children, siblings and grandchildren actors are cases in history in such abundance that for examples just reviewed a corner as insignificant as this weblog (or whatever). In this sense, the followers of Lady Filstrup have not forgotten, certainly, cases of Manuel Díaz González, José María Escuer, Fernando Delgado or the end of Luis Peña, son of actors, actress's brother, married to Luchy Soto, in Once the daughter of Guadalupe Muñoz Sampedro, Manuel Soto, both actors. the Hollywood couple has been in dozens and mention them all would be tedious task. Examples are the beloved of Aurora Redondo and Valeriano León, Rafaela Aparicio and Erasmo Pascual and José Sepúlveda and Josefina Serratosa, or more accompanied by media attention (to the rhythm of the times) and Fernando Guillen Cuervo Gemma and Carlos Larranaga and Maria Luisa Merlo, turn children of actors and parents of players. Very common television room and Luisa Pastor Serrador formed a very stable marriage, although it might give the impression that their personalities are not "married" well. Something similar could thought of José María Rodero and Quintillá Elvira and Francisco Rabal and Asuncion Balaguer. The fact that a couple of actors usually resolves truncated forming a new, recurring in inbreeding. Thus, Jesus Puente, after his marriage to the voice actress, Maria Luisa Rubio, found stability with Licia Calderón sentimental. María Fernanda Ladrón de Guevara, by marriage to the handsome Rafael Rivelles and give birth to Amparo Rivelles changed his life partner (and professional), preferring to Pedro Larrañaga, which consequently gave birth to Carlos Larrañaga. Sometimes love, and the rest of us, they play tricks, and can destroy them, as happened to Rafael Arcos, who was let go after his desperate passion for Silvia Tortosa, or Daniel Martin of whose death we did here echo, who never is reported to have exceeded the all his unhappy relationship with Sara Lezama.

A bit of everything, for a change ...

Here we have attempted to address, despite the difficulties in gathering information, about actors who have developed their activities in different disciplines. Thus, we did not want to forget that radio was the mass media in Spain during the forties and fifties, and much of the sixties, making his paintings of actors real stars of the highest popularity and nurseries of great figures of the scene. Adolfo began his career Marsillach actor in radio, and "Lady Filstrup" We talked about the great Juana Ginzo , who personifies an era of environment and Estanis González, who gave way to the TV from the airwaves. We refer also to become professional Ricardo Palmerola , versatile actor whose popularity excelled particularly in the waves, when we were surprised in our tortuous way, the news of his death. Soon we could have, would have spoken here, for example, Pedro Pablo Ayuso, the father of the now so popular Marisol Ayuso, who achieved the maximum star size through the microphones, with emissions of serials like "The Intruder" or "Matilde, Perico and Periquín "and that, in the early days of professional activity, began to record tangos microgroove discs in the style of Carlos Gardel. Nor should we forget dear Matilde Conesa, Vilariño Matilde, Juan Manuel Soriano, or Vincent Muller.

If big is the shadow cast by the name of the aforementioned Matilde Conesa on the radio, no less so in the field of dubbing. The same could be said of Juan Manuel Soriano. It is here where he developed synchrony work primarily Francisco Sánchez, voice actor who could see in some movies and so we in "Lady Filstrup." In similar circumstances, formidable as Ramón Martori benders, José María Ovies, Joaquín Díaz, Félix Perhaps, Rafael Luis Calvo, José Guardiola Manuel Cano (some with great wealth) acted to allow the cameras to put faces to voices, on other faces, we were captivated. We would have liked to bring them all here, but only the fuel has reached us to refer to the most brilliant Sempson Pedro and Rafael de Penagos , by the sad circumstances of their deaths, two sovereign actors, as in cases of other monsters like Antonio Iranzo, Estanis or Rafael Navarro Gonzalez, combining his voice actor facet of the proceedings before the television cameras.

Less distinguished, perhaps, than those previously, we can not we ignore the greatness of great actors both television and cinema, and Alfonso del Real, Joaquin Pamplona, \u200b\u200bJosé Franco, Jesus Guzman, Rafael Hernández, Emilio Laguna Jesus Enguita, José Franco, Alvaro de Luna, José Riesgo, Pepe Sancho, Ricardo Palacios, Antonio Medina, Angel Alvarez, José Rubio, Angel Ortiz, Hercules Cortes, Juan Cazalilla, Jacinto Martín, Goyo Costafreda, the lovely Maria Elena Flores, Paco Sanz, Venancio Muro, the virginal Inma de Santis, the attractive Concha Cueto, Beni Deus, Manuel Aguilera, Tito Garcia, Cris Huerta, Fernando Sancho, José Bastida, Joaquin Bergia, José María Rodríguez, Roberto Camardiel Felix Dafauce, and an endless

etc. ... The sad obituaries editor office of

One of the many defects that nourish the soul of this mayor is not able to say goodbye. A faith that this time is no different from others and it is costing you. But the fact that, in respect of "Lady Filstrup" and his last two years, has been found saying to himself: "Not one more!" thinking in an obituary that he has had writing. The desire to leave to fulfill this task has been provided to the mayor's decision to leave the blog. Sad, sad its own motion to dismiss these things as dear as far, as close as others, which are the actors and actresses who have admired. Looking back, as I believed my obligation at this point, the content of this stage of "Lady Filstrup" I ceased not to stumble over the death. I have not mentioned yet José Luis López Vázquez , or Antonio Ozores , two giants that left, leaving behind a vacuum of global proportions, or the hard workers Stakhanovists Victor Israel and Aldo Sambrell , two actors whose unusual presences through the lavished most prolific decades of film production in English urgent cinema "lumpen" as necessary as honest. Nor the controversial Paul Naschy, a victim of his own misunderstanding, so acclaimed by some as reviled by others, who dared to wish a happy birthday ignorant of the evil that he suffered fatal (circumstances which also gave the great "Pirulo" ) and forced us also to him, to spend one last goodbye. Here we had to realize, much to our regret, that the brilliant actor and stage director, Manuel Collado , plunged to his death on the widow of the great Julia Gutiérrez Caba, that sensual " Polish " sadly surprised us with the mournful news of his final of the irreverent Pepe Rubianes is going well, without bowing or ceremonies.

there is very little for this formality end. Look at this list. Have we forgotten those unfortunate suitors, who struck early death, which were Luis Arroyo and Mario Berriatúa ? Have we missed the big Terele Pávez and José Sazatornil " Saza", whom we wish a happy birthday? "That story, familiar and true, the two cousins \u200b\u200b extras from" The malquerida " ? Is it that our strong preference for speaking of anonymous we shirked deal with the largest and most popular? Probably yes. For larger preparations are necessary chroniclers. In a solemn grand dame of the theater, as Irene López Heredia was dedicated here a small entrance-gallery, while other major stars of stage, did not even similar opportunity. This mayor has referred only when the present time you have requested, figures whose popularity is beyond doubt. In such circumstances it was as we refer to in your day to Don José Isbert to Alfredo Landa, José Sancho to , to Manuel Alexandre to Andrés Pajares to Mary Isbert to Carmen de Lirio to Maruja Asquith, to Elena Salvador, and Tony Leblanc . Have little or no talk here of so many phenomenal artists I'm desperately trying to list them all. Sorry to silence their names. Are in the mind of the reader and, if desired, you can quote them in the comments on this post. I applaud them all. Even in their slips, as Paco Rabal leading to a single record whose cover I play along these lines, the greatest are always great. I am thinking now of the up now omitted Isabel Garcés, Antonio Garisa, Juanjo Menéndez, Florinda Chico, Queta Claver, Elisa Montes, in ... I do not know! Mil

outstanding stories and beauty to remove the hiccups

If they had more desire, more capacity for sacrifice and more determination, the mayor would have delved into the lives of our players of the past and would have been transmitted readers made trivial, everyday or even absurd, small irrelevant details, bullets loose their lives, for example, Antonio Garisa very healthy habit of spending whole nights eating ham, slice by slice, or donation of a monkey at the zoo in Madrid by Alfredo Mayo, the product of a safari through the heart of Africa, the intrepid hero of the screen or the home life of the great John Espantaleon, who reached the glory of the cinema after a long trajectory of theatrical companies Enrique Borrás, Irene López Heredia, Ernesto Vilches, Gaspar Campos, Josie Hernán, Salvador Mora and, above all, the Comedy Theatre. In Espantaleon, married to actress Mary Victorero, who seduces his humanity, his kindness archetypal today we are bringing one of those bullets to which we referred at the beginning of this paragraph, a image that contains the bitter moment when the actor was subtracted from sleep. Thankless task (with theatrical shows) holds his daughter Anita. Since this time would have been others, some picturesque, testimonials other, perhaps trivial, as was the little film that is dedicated to Real Madrid, led Rafael Gil and which served to give rise to an atypical entry called "Stamp football " . Small pieces of the larger environment that would have brought acting "Lady Filstrup" of not having left the engine that drove me enthusiastically. In the immediate horizon, in addition to completing the review of the record José María professional side, the mayor had intended to devote an entry to Simon Andreu (object of admiration of Mrs. burgomaestresa, thus making no kind of contract a breach of my marital obligations), of whom the great James Mason said to the press, when both were filming "Poor Man's River" under the command of Eugene Martin, who was a wonderful actor, world class. Also, for various reasons, the mayor had made a commitment to tell Miguel Ligero tickets paths (which, as worthy of comment documentation, is the script of "This is your life" Federico Gallo gave him in English Television), actor jaraiceño, favored by Edgar Neville, Pedro Porcel, the great and divine Candida Losada Analia Gade, Maria Lina Mahor and Canalejas. More

given (by getting some strange perversion, perhaps) to emphasize the virtues of guys like feotes Estanis González or Valeriano Andrés , or artistic partnership that formed Rafael López Somoza and José Marco Davó , which to admire the beauty of our stars of the screen scenarios, this mayor has devoted only monographic input to a seductive woman of physical attractiveness, Argentina Rosanna Yanni. In that circumstance does not mean that there are dazzling, with the heat this subject deserves, in contemplation of such beautiful actresses as gentle sweet Isabel de Pomes and intense Aurora Bautista (who had gallery tickets, Lady Filstrup), or the lovely Lola Cardona, or as the spectacular Analia Gade, and Mercedes Alonso, the equally gorgeous Nieves Navarro (aka Susan Scott), Elisa Ramírez, María Mahor or delicate, or naturally The lozanísima Concha Velasco. Of these, only the last had an entry-gallery here, shared with the great Riaz Berta, while the other, appeared incidentally. All would have merited a paper rich (rich) images. Thanks

My gratitude goes first to my friend Javier Pérez Andújar, full and brilliant writer (whose second novel, soon to be published, will dazzle audiences and critics) who started this weblog and offered me the chance to be a mayor. Then the teacher, scholar of popular art, Jesus Cuadrado, who has been kind enough to accompany this village with its comments that "Filstrup Lady" was born to love comics Bruguera, and that on the issue of players and has poured countless tales of their valuable experiences. Then, I pause to acknowledge the help and company of Santiago Aguilar, director of award-winning film scholar and film buff, true identity of the mysterious Mr. Feliu (and I hope you forgive me the tabloid revelation), who has generously poured streams of knowledge on DRYLAND of my entries. Less evident in the comments, the indispensable, encyclopedic film popularizer of all, Carlos Aguilar, also has my utmost gratitude for their unconditional support and their friendly cooperation. The writer of paperbacks and a professional actor (in the company of Alejandro Ulloa, which coincided with a young Vicente Parra and where he performed with his wife Teresa mourned) Juan Gallardo Muñoz (known, among dozens of other names such as Curtis Garland ) has been honored with his friendship with the mayor and he has told countless stories of bright lights and we did here echo the appearance of his memoir. The director (theater, film and television) and actor, Reguant Ricard, has been in recent months a courageous ally and an enthusiastic friend Not only has the mayor shared with his many skills and experiences, but also has allowed him to get acquainted with such experienced players as Sanjuán and Martí Vicente Galindo. The veteran and renowned film director José Luis García Sánchez, likewise, has honored with his presence secluded byways of this weblog, which the mayor considered a privilege.

All kind readers of Filstrup Lady, I thank you most sincerely for your understanding and patience, with special affection for those who were kind enough to leave a comment, always generous. Salient of them who brings me the memory that have been made known either by their names, as Manuel Gómez, José Robledo, Arturo Montfort, Victoriano Bañón Guijarro, Lois Zubiela, Orcajo Joseph Francis, the gentle, Julia (kissing) Tere Frank Fischer, Thomas Betts, either by their pseudonyms, as Filomeno2006 in-Rheda-walk, or Nzoog Wahrlfhehen ... In excitement I especially want to thank those people who, close to the actors covered in the blog, have become correspondents of the mayor, as the lovely Paloma Hurtado and his sisters Teresa and Fernanda, the no less charming, communicative and elegant widow of Joseph Tasso, Eugenia Vilallonga, the lovable grandson of Lebron Goyo, Oscar, the daughter of Francisco Piquer atentísima, Edith, the grandson of Fernando Rubio, Carlos Rubio, the sister of Fernando Cebrián, Ana, an ocean away from him, he was closer through my modest entry ; the daughter of actor Peter Fenollar Marta and María Pilar Alonso's own King, who was generous enough to give me your affection through your emails and how close is Mayra Rey ... As he is himself!

Last departure: For they came up here for you I've been so far

This is the last entry in "Lady Filstrup" is also his last outing. In any case, here is a door leading to the rest. For what this town could do while I dreamed of doing anything else.